BY R.VALGART
2018

Oil & resin on wood panel 122x122cm. 
MATTER
Prints on Fine Art paper- Limited Edition prints to 20 
Signed by hand and printed by me
ALGUNA VEZ FÓSFORO
CARBONO ETERNO
HIDRÓGENO SEMPITERNO
MATERIA DILUIDA- Technique: Acrylic, Oils & Resin 1.22x 2.44m
AZUFRE EN EL OLVIDO
RETORNO AL ORIGEN
VIENTO MOLECULAR
MATTER was exhibited for the first time in Mexico, Chiapas at la tozi gallery in 2018. The collection is currently represented by Rastro collective art gallery, based in San Cristobal de las Casas, Chiapas, Mexico.
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Don't hesitate to contact me for acquires. Order limited edition prints from the original work signed by hand and printed by me on fine art paper.

Print size: 61x61cm. Limited to 20 copies only.
Quotation per copy: 2,500 Swedish Kr. or 269 USD 


Materia Diluida- print size: 61x122cm. Limited edition to 20 copies only.

Quotation per copy: 3,000 Swedish Kr. or 323 USD 

Professional prints
Using the best quality Japanese Canon inks
Metallic-Fine art paper 

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How to order in 3 steps:
1.- Send me a request with the chosen piece
2.- After I received your order I will send you a paypal request (you don't need to have a paypal account).

3.- When I received the payment via paypal I will start shipping your order.
(Delivery in a wellcare cylinder- worldwide)

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Thanks for visiting MATTER
R.Valgart 
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"The most incomprehensible thing in the world is that it is understandable.
Albert Einstein"

Statement​​​​​​​ of MATTER artwork
In a context of social upheaval, of crisis in all spheres of the human, in the times when the death of all ethical statements is announced with neon lights in the museum rooms, in the pages of the most erudite of the texts; in times where the originality of the ruptures is read as candid nostalgia, in these times where the fascination with the discoveries of quantum physics and the brutality of everyday life do not seem to surprise us anymore, that is where Valgart finds the perfect interstice to return to the more pristine of the philosophical problematizations, the question about the matter, even though at the beginning it was not posed with such precision, it was always there; the question by the nature of the things, by the split body and soul, and without a doubt the jumble of questions that are woven with the complexity of our times, all of them make us return to the question-statement that Valgart raises in the narrative of his pieces. Using the stylistic antinomy of abstractionism and figuration, he draws the historical and irreducible conflict between matter and consciousness.

In each of his pieces a kind of hatching of consciousness is sketched, always having as a handle the unintelligible of the representation of the whole, and with the superposition of traces related to lyrical abstractionism, Valgart accentuates the polysemic character of matter through of the game zoom in / zoom out in the reading of each piece, of that apparent chaos raises awareness or what he could call the conscious genius. The piece Dilute Matter stands as the Rosetta Stone of the narrative, since it not only impeccably articulates the beginning and end of the series, but it also blurs the apparent anachronistic character of Valgart's acquisition and attacks us with the anguishing conclusion in the observation of the evolution of matter, and that is that consciousness, that is to say, we are nothing more than a happy accident.
Gallerist owner
Favricio Huerta

Opening at la Tozi Gallery